Originally sent via newsletter on Mar 1. Don't forget to subscribe!
This month is a little different. I haven’t been reading or consuming as much this month, so instead I thought I’d treat you to a slice of my internal monologue regarding my experience as a creator in this age of consumption.
These days, the term “creator” goes hand in hand with social media. The population is divided into two categories, consumers and creators.
The problem I have with this association is that it implies the only way to be a creator is if you are actively sharing your art in a public space (and god forbid you only have a handful of followers). The truth is, you don’t have to share your art to be a creator. In fact, I would encourage you to create without publicly sharing it. A crucial phase of the artist’s journey is isolation, or the incubator phase. A phase that, in my perspective, doesn’t get nearly enough credit because it’s never broadcast, as is the nature of the incubator phase.
I think the term isolation gets a lot of negative connotation, but as an artist, one needs to learn to love it.
For me, the isolation phase looked a lot like sitting on my bedroom floor, writing songs no one would ever hear, and ripping pages filled with scribbled thoughts out of notebooks. It’s not glamorous and it’s not shareable, because it’s not meant to be. This is where you learn to hone your craft, listen to the universe, and absorb whatever ideas it’s trying to download into your brain. Sharing this part of the process shuts it down. You must go alone.
The past few years, it’s been harder and harder for me to access this incubator phase, and I’ve been on a search to figure out why that is. Sure, like gets busier. But there’s something more, a chemical change in my brain. For a while, I thought I’d just changed too much, and I’d lost the spark that made me an artist. Adulthood had done its damage and I was boring like everyone else now.
The idea that I’d never access that magic that is creative flow again sent me down a major depressive spiral. I became extremely anxious and dissatisfied with my work in general. I started to feel like life was just a waiting game until you die. I was so bored, and I dulled that boredom by consuming. Scrolling became habitual. After all, everyone else was doing it.
If I wasn’t scrolling, I was reading something that had the same effect on my brain. Consumption is a snake swallowing its own tail; it’s a never-ending cycle that ends up consuming you instead.
I don’t know exactly what shifted, but something did for me. Maybe it was survival. I didn’t want to continue living if this was all it would be. I started going on walks without my phone. I deleted social media, and I forced myself to only read books that would challenge me. Slowly, blood began to flow to those atrophied creative muscles again.
I was disconnected again, isolated, and suddenly, I found myself in that incubator period. Ideas flowed, and my motivation returned. The world still feels bleak, but at least while I’m writing, I’m in control of the narrative for a little while.
The idea of sharing my work on social media is kind of disgusting to me now. Hear me out.
Removing social media from my life was what helped me start creating again in the first place. Now, because I’m past the isolation phase and entering the share phase, my only choice feels like being on social media again. Of course, I want people to know about and read A Song on Salt Air when I release it this year, but promoting it on social media feels like a betrayal of my core beliefs as a person.
A necessary evil, I know. How did people promote books before social media? I guess that’s what publishing houses are for, but that wasn’t the route for me (I think that may be next month’s topic).
Previously, dipping my toes back in the cyber waters felt like drowning again. It’s overstimulating and upsetting, addicting, and consuming. After a couple of weeks, I inevitably need to shut it down again and detox.
I don’t have a solution yet. I know that I will return to social media soon to promote A Song on Salt Air, but I’m approaching it on tiptoes this time. For now, I’m taking advantage of this newsletter and my website to maintain a presence and community of some sort. The next growth phase will be different, more intentional.
If you’re still here, thank you for listening to my rant. It sometimes feels like screaming into the void.
If you’ve been following along each month, you’ll know that I had a few setbacks with editing A Song on Salt Air. I got way behind and distracted, and I wasn’t making much progress. I’m happy to announce that I will be working with an editor starting this week!
After my last set of beta readers, I went through the entire manuscript for another round of line edits and a few revisions. I found an editor through a friend’s recommendation, and I’m very excited to work with her after a very promising sample edit.
This will be the LAST STAGE before publishing. Hopefully, this time next month, I’ll be able to announce a release date!
Thanks for sticking around and staying tuned.
As a token of gratitude for your continued support, here’s a Spotify playlist I made for A Song on Salt Air.
As a writer, support in the form of monetary value is hard to come by. If you enjoyed reading this update and feel so inclined, you can buy me a coffee here.